I'm going to give you three reasons why I love the Sutton blouse by True Bias.
One - the pattern is well put together with good instructions that provide a garment that is quick to put together and looks almost as good inside out.
Two - the front is slighter narrower than the back which creates shape and allows the fabric to drape well. The longer back is also great cover. And three - the design is economical and uses less than a metre of 150mm fabric. Great scrap buster too if you are working with contrasting fabrics.
I've used printed crepe purchased in Portugal last year and some black crepe from stash. I made it up in size 12 without any alterations. The only change I'll make when (note I didn't say if) I run up another is to use bias tape for the arm hem. This is simply to reduce bulk from the French seams.
Not sure what I'm making next, so meanwhile happy sewing!
Thanks for all your comments welcoming the prodigal sewer back into your midst. I value your encouragement.
I'm surprised Vogue 1351 has been overlooked by sewers. What's not to like about it? It is easy to fit, falls nicely on the body and the construction techniques are excellent.
I've posted a photo of the inside of the cowl neckline, which is machine sewn into lining. This is much better than a facing which can flap up when you least expect it.
I understand why the DKNY team made the dress in a block colour. The entire garment, except the upper back is cut on the bias, and finding fabric that works on the diagonal can be quite a challenge. In the end I choose a silk twill purchased in Rome a few years ago. I just love the result and am sure it will be a high rotation frock for summer.
One of my goals for 2016 is to make time to post my finished work, so here is the first of many (I hope!). I've been absent from the blogosphere for so long I'm not sure if anyone is still following.
My first garment of 2016 is exactly what I needed - walking the dog weekend wear- but it is not a favourite. The fabric is fabulous navy and white Japanese (?) linen purchased at my spiritual home Tessuti Fabrics.
Unfortunately Rachel Coomey's design (Vogue 1247 OOP) doesn't exactly thrill me.
My point of comparison is the Sutton Blouse by True Bias. Kelly's pattern is beautifully put together and the cut is more flattering falling softly against the body. Will post wearing photos and more details shortly.
I've had a great start to 2016 with two other completed projects to show you. My new dress is being worn tomorrow, I guess you'll see that next.
Don't be strangers - stop by my blog and say hello!
I've used printed crepe purchased in Portugal last year and some black crepe from stash. I made it up in size 12 without any alterations. The only change I'll make when (note I didn't say if) I run up another is to use bias tape for the arm hem. This is simply to reduce bulk from the French seams. 
